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TRANSFORMING WALLS into a unique space
„Die Realität liegt in dem Gedanken hinter der Farbe. Die Farbe ist nur das Symbol, das den Gedanken vermittelt, und sie erhält ihre Bedeutung nur im Geist des Betrachters, der sie schließlich interpretiert.“
Edgar Cayce
Ich könnte es nicht besser ausdrücken als Cayce selbst — ich teile seine Vision vollkommen. Was ich hinzufügen kann, sind ein paar Details aus meiner eigenen Erfahrung. Durch die Arbeit mit verschiedenen Texturen, das Schichten von Farben, das Kombinieren unterschiedlicher Materialien und das Nutzen größerer Flächen habe ich entdeckt, dass wir die Vibration und ihre Frequenz verstärken können. Auf diese Weise beginnt das Kunstwerk, einem bestimmten Zweck zu dienen — sei es Heilung, Beruhigung oder das Auslösen tiefer Transformation.
Ich weiß das aus eigener Erfahrung.
Mehr über Olga erfahren…
COLORS ARE VIBRATING
Dynamic Artwork | 2026
Acrylic on raw jute and canvas, handmade concrete puzzle pins
4 pieces 50 x 50 cm
Place yourself inside it. Project your situation.
Each move is a decision, a position, a story.
There is no right composition. No wrong moves. No right answers.
This is not a game. It’s a mirror.
Observe the observer. The work is complete
only when you enter it.
Are you the only player?
4 pieces 50 x 50 cm
Place yourself inside it. Project your situation.
Each move is a decision, a position, a story.
There is no right composition. No wrong moves. No right answers.
This is not a game. It’s a mirror.
Observe the observer. The work is complete
only when you enter it.
Are you the only player?
Guilt | 2025
Acrylic on canvas
100 x 80 cm
This is a deeply personal painting — raw, direct, and uncompromising. Created in the “ebanina style,” it functions as a kind of distorted selfie, an auto-portrait that does not aim to beautify, explain, or soften reality. It captures the artist not as she appears, but as she feels: fragmented, intense, alive, contradictory.
The ebanina aesthetic — rooted in deliberate kitsch, absurdity, and emotional bluntness — becomes a language of truth here. It reflects the surreal nature of lived experience, where life does not follow harmony or logic, but arrives in shocks, colors, ruptures, and moments of strange clarity.
This is not a comfortable painting. It does not ask to be liked. It asks to be seen. It holds confrontation, humor, exhaustion, gratitude, and presence all at once. Like a real selfie, it is not about perfection — it is about proof of existence.
This work stands as a statement: I was here. I felt this. I survived this.
100 x 80 cm
This is a deeply personal painting — raw, direct, and uncompromising. Created in the “ebanina style,” it functions as a kind of distorted selfie, an auto-portrait that does not aim to beautify, explain, or soften reality. It captures the artist not as she appears, but as she feels: fragmented, intense, alive, contradictory.
The ebanina aesthetic — rooted in deliberate kitsch, absurdity, and emotional bluntness — becomes a language of truth here. It reflects the surreal nature of lived experience, where life does not follow harmony or logic, but arrives in shocks, colors, ruptures, and moments of strange clarity.
This is not a comfortable painting. It does not ask to be liked. It asks to be seen. It holds confrontation, humor, exhaustion, gratitude, and presence all at once. Like a real selfie, it is not about perfection — it is about proof of existence.
This work stands as a statement: I was here. I felt this. I survived this.
Untitled pair GS 3 | 2025
Acrylic on canvas
2 pieces 120 x 60 cm
This third paired painting in the Golden Series reflects our inner duality and the choices that shape us each day. Gold envelops every decision, revealing a deeper, higher meaning behind even the smallest acts of will.
The red flush along the bottom edge serves as the artist’s personal signature of meaning — a reminder to remain grounded in the present moment.
Unlike the other works in the series, this piece carries a subtle bronze layer beneath the final golden surface, creating a distinctive reflection that shifts and transforms with changing light.
2 pieces 120 x 60 cm
This third paired painting in the Golden Series reflects our inner duality and the choices that shape us each day. Gold envelops every decision, revealing a deeper, higher meaning behind even the smallest acts of will.
The red flush along the bottom edge serves as the artist’s personal signature of meaning — a reminder to remain grounded in the present moment.
Unlike the other works in the series, this piece carries a subtle bronze layer beneath the final golden surface, creating a distinctive reflection that shifts and transforms with changing light.
Untitled pair | 2025
Acrylic on canvas
2 pieces 120 x 60 cm
The second painting in the golden series reflects our duality and the choices that shape us each day. Gold covers every choice, revealing the deeper / higher meaning behind each decision.
The red flush bottom line is my personal signature of meaning — a reminder to stay rooted in the present moment.
2 pieces 120 x 60 cm
The second painting in the golden series reflects our duality and the choices that shape us each day. Gold covers every choice, revealing the deeper / higher meaning behind each decision.
The red flush bottom line is my personal signature of meaning — a reminder to stay rooted in the present moment.
Good morning, universe!
2025
Acrylic on canvas
95x125 cm, framed
Part of the Golden Series, this painting explores movement, perception, and inner rhythm through bold structural lines that guide the viewer across the canvas. The composition intentionally slows the gaze where the relief texture invites contemplation, and accelerates it across lighter, glancing passages.
Its golden surface changes dramatically depending on the light and the viewer’s point of view, revealing shifting tones and depths. This dynamic navigation mirrors the way awareness flows—between stillness and momentum—inviting the observer into a living dialogue with the work.
95x125 cm, framed
Part of the Golden Series, this painting explores movement, perception, and inner rhythm through bold structural lines that guide the viewer across the canvas. The composition intentionally slows the gaze where the relief texture invites contemplation, and accelerates it across lighter, glancing passages.
Its golden surface changes dramatically depending on the light and the viewer’s point of view, revealing shifting tones and depths. This dynamic navigation mirrors the way awareness flows—between stillness and momentum—inviting the observer into a living dialogue with the work.
Untitled pair GS 1 | 2024
🔴 SOLD
First painting in the golden series reflects our duality and the choices that shape us each day. Gold covers every choice, revealing the deeper / higher meaning behind each decision.
The red flush bottom line is my personal signature of meaning — a reminder to stay rooted in the present moment.
Acrylic on canvas
2 pieces 60 x 120 cm
The red flush bottom line is my personal signature of meaning — a reminder to stay rooted in the present moment.
Acrylic on canvas
2 pieces 60 x 120 cm
Entitled | 2025
Acrylic on canvas
120x150 cm
120x150 cm
Chameleon, champagne gold and red bottom
2024
Acrylic on canvas
180 x 150 cm
Created just before the Golden Series, this golden Chameleon was part of an artistic experiment exploring perception and transformation. Using a complex and time-consuming technique of layered paper on canvas, the surface shifts with light and viewpoint, revealing changing tones of gold.
This metamorphic quality is intentional: the painting does not merely exist to be seen, but to be experienced. Like joy itself, its frequency is not fixed — it resonates differently within each observer. The Chameleon becomes a mirror of consciousness, inviting thoughts, emotions, and ideas to rise, transform, and realign.
This work serves as a visual meditation on awareness, adaptability, and the living nature of perception—where color becomes vibration, and vibration becomes meaning.
180 x 150 cm
Created just before the Golden Series, this golden Chameleon was part of an artistic experiment exploring perception and transformation. Using a complex and time-consuming technique of layered paper on canvas, the surface shifts with light and viewpoint, revealing changing tones of gold.
This metamorphic quality is intentional: the painting does not merely exist to be seen, but to be experienced. Like joy itself, its frequency is not fixed — it resonates differently within each observer. The Chameleon becomes a mirror of consciousness, inviting thoughts, emotions, and ideas to rise, transform, and realign.
This work serves as a visual meditation on awareness, adaptability, and the living nature of perception—where color becomes vibration, and vibration becomes meaning.
Untitled | 2024
Acrylic on canvas
100x80cm
100x80cm
Less is More | 2025
2 pieces 100x150cm
Acrylic on canvas + jute, modeling paste, cement puzzles.
2025
My catharsis, captured on canvas.
Acrylic on canvas + jute, modeling paste, cement puzzles.
2025
My catharsis, captured on canvas.
Spaces | 2021 - 2023
🔴 SOLD
Acrylic on canvas
180x150cm
A deeply personal work. I began it in late 2021, but the war in Ukraine in 2022 left me unable to paint for two years. I finally completed it during my radiotherapy in May 2024 — after many repainted layers and emotions.
Interestingly, each beholder sees something different in it, as if the painting mirrors their own inner world.
180x150cm
A deeply personal work. I began it in late 2021, but the war in Ukraine in 2022 left me unable to paint for two years. I finally completed it during my radiotherapy in May 2024 — after many repainted layers and emotions.
Interestingly, each beholder sees something different in it, as if the painting mirrors their own inner world.
Dézaley wine yards | 2024
🔴 SOLD
Custom order
My favorite style — “let’s hide a massive artwork” — which, in my opinion, simply adds a subtle spice to the existing balance. Less is more, as we know.
Canvas collage, acrylic
145x135 cm
Custom order
My favorite style — “let’s hide a massive artwork” — which, in my opinion, simply adds a subtle spice to the existing balance. Less is more, as we know.
Canvas collage, acrylic
145x135 cm
Reset painting | 2025
🔴 SOLD
Custom order
White is a perfect color, with hundreds of undertones, each with its own vibration to reset your mind (or at least mine).
Later, or instead, it can enhanced the interior and make it more complex.
Acrylic on canvas
Textures: sand, paper, modeling and iridescent pastes
100x150 cm
Custom order
White is a perfect color, with hundreds of undertones, each with its own vibration to reset your mind (or at least mine).
Later, or instead, it can enhanced the interior and make it more complex.
Acrylic on canvas
Textures: sand, paper, modeling and iridescent pastes
100x150 cm
Untitled | 2024
Acrylic on canvas
100 x 150 cm
Inspired by a boat journey along the Croatian coast, this painting evokes the sensation of drifting between sky and sea, where horizons dissolve and time softens. A subtle boat silhouette emerges within the composition, not as a fixed form but as a presence—suggested, remembered, and felt.
Soft layers of blue, with gentle hints of violet, echo the movement of water, reflections of light, and the slow rhythm of waves. The surface remains fluid and atmospheric, inviting the viewer into a state of suspension between motion and stillness. Like memory itself, the painting shifts with light and perception, offering a quiet space for contemplation and inner navigation.
100 x 150 cm
Inspired by a boat journey along the Croatian coast, this painting evokes the sensation of drifting between sky and sea, where horizons dissolve and time softens. A subtle boat silhouette emerges within the composition, not as a fixed form but as a presence—suggested, remembered, and felt.
Soft layers of blue, with gentle hints of violet, echo the movement of water, reflections of light, and the slow rhythm of waves. The surface remains fluid and atmospheric, inviting the viewer into a state of suspension between motion and stillness. Like memory itself, the painting shifts with light and perception, offering a quiet space for contemplation and inner navigation.
Untitled | 2024
Acrylic on canvas
43 x 60 cm
43 x 60 cm
To my M.
2021
80x100cm
Acrylic on canvas.
Acrylic on canvas.
Vanilla Mountains
2020
Acrylic on canvas
150 х 180 cm
150 х 180 cm
Memories with Louboutin sole
2024
Acrylic, oil pastel on canvas
100x80cm
100x80cm
Selfie | 2025
Red left and bottom edges
Acrylic on canvas
120 x 150 cm
This painting is a deeply personal work — an unfiltered self-portrait created during a profound period of transformation in the artist’s life, following cancer recovery at the beginning of 2025. It marks a moment of raw acceptance: of survival, of vulnerability, of the fragile and miraculous nature of being alive. Every brushstroke carries the weight of lived experience, the shock of endurance, and the quiet rebirth that comes after facing one’s own mortality.
The stylized robot-like face, rendered in what the artist calls the “ebanina style”—a Russian term evoking deliberate kitsch—amplifies the surreal quality of existence itself. It reflects the absurdity, brutality, and unexpected beauty of what can happen to any of us. This is not irony for decoration; it is a survival language. A visual way to say: life can become unreal, shocking, and unrecognizable — yet still worth loving.
The bold, confrontational colors and simplified geometry resist sentimentality. This is not a painting about suffering; it is about awakening. About choosing to see, to feel, to be present. The face stares back not with despair, but with a strange clarity—accepting everything that is, without illusion.
This work stands as a testimony: to resilience, to transformation, and to the radical act of embracing life in all its unpredictable forms.
Acrylic on canvas
120 x 150 cm
This painting is a deeply personal work — an unfiltered self-portrait created during a profound period of transformation in the artist’s life, following cancer recovery at the beginning of 2025. It marks a moment of raw acceptance: of survival, of vulnerability, of the fragile and miraculous nature of being alive. Every brushstroke carries the weight of lived experience, the shock of endurance, and the quiet rebirth that comes after facing one’s own mortality.
The stylized robot-like face, rendered in what the artist calls the “ebanina style”—a Russian term evoking deliberate kitsch—amplifies the surreal quality of existence itself. It reflects the absurdity, brutality, and unexpected beauty of what can happen to any of us. This is not irony for decoration; it is a survival language. A visual way to say: life can become unreal, shocking, and unrecognizable — yet still worth loving.
The bold, confrontational colors and simplified geometry resist sentimentality. This is not a painting about suffering; it is about awakening. About choosing to see, to feel, to be present. The face stares back not with despair, but with a strange clarity—accepting everything that is, without illusion.
This work stands as a testimony: to resilience, to transformation, and to the radical act of embracing life in all its unpredictable forms.
Untitled | 2021
Acrylic on canvas
150 х 180 cm
150 х 180 cm
Pearl twilight | 2024
Red bottom
100 x 80 cm
Acrylic on canvas
100 x 80 cm
Acrylic on canvas
Untitled | 2024
Experimental piece
Jute, acrylic, concrete and red bottom
100 x 150 cm
Jute, acrylic, concrete and red bottom
100 x 150 cm
Untitled | 2021
Experimental
Acrylic on canvas collage
100x150 cm
Acrylic on canvas collage
100x150 cm
Untitled | 2021
Acrylic on canvas
100x150 cm
100x150 cm
Chameleon waves | 2020
Acrylic on canvas
2 pieces 80cmx80cm
2 pieces 80cmx80cm
More works at @olpe Instagram
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